An unedited short story of myself as a child, and my first experience at the ballet.
I hated the ballet.
It’s true. The first time I went to the ballet, at age nine, I found it truly and flagrantly, well; unbearable. Now before you jump to any conclusions, I must explain the nature in which my distaste was bestowed.
I did not hate this art form in the sense of finding it boring, or otherwise unamusing. Not the bland, fruitless hatred of something that I find myself too busy or important to subject myself to.
It was not a dislike of the seats. They were thick, plush red velvet, that sank to your shape and were perfectly formed to your weight and seating position by the end of any performance. As I sat, my small knees crossed, the miniscule fibers of the fabric brushed against my new tights, purchased for this very event. Its pelage swayed like an anemone against the deep blue waters of the dimmed theater. No, it was not a dislike of the seats, their appearance added to the grandeur of the theater.
The theater! That couldn’t be subject to my dislike, either. The gold gilding the walls, the murals, the way the lights twinkled on the edge of the stage as if to materialize the stardom that would take place upon it. It ran shivers up my spine; I was certain in my nine years of life that I was witnessing one of the Wonders of the World. I waited eagerly, eyes tracing each detail, for the thick red billows of the curtain to swing open. I pulled anxiously on the sleeve of my mother, who smiled at me in return, coaxing patience into me by showing me the anticipation added to the experience.
Soon enough, however, the lights lowered into darkness, and a hush fell over the crowd. There was a gripping sense of mutual appreciation, even solidarity, as we sat together in the darkness, waiting. Then the violins began; soft, a single note suspended in air, dipping and weaving in between the caverns of the house. Then the rest of the pit joined in, and the music swelled inside me, brushing goosebumps over me. I was just a small girl then, trembling with the beauty of a violin, thin wire glasses tilted on the edge of her nose. Then, the long awaited moment came. The curtains, huge and quavering in the slight breeze of the silence, drew open. And as the first dancers came out, and flew into motion, their arms and legs quivering with strength and moving with painless ease and delirious beauty; I suddenly began to feel peculiar. The hearty enjoyment I had been experiencing strangely dwindled, and a discomfort suddenly arose in my stomach, spreading some poisonous emotion throughout my bloodstream.
It was the hatred of the finest degree; an impermeable, restless, and completely irrepressible jealousy. It was the dark purple seething of selfish hatred, in which everything I watched suddenly became a personal vendetta, set against my very existence. The sweet melody of the violins turned sour in my ears, and the beautiful strength of the dancers seemed to mock me.
How I longed, in that moment, more than anything, to be one of those dancers. To be long and graceful; with fine blond hair twirled neatly into a bun. To have my legs know exactly what to do, and to be able to spin and spin with my arms in the air. To be a ballerina, to glitter in the light like that, to be beautiful. I longed for that beauty, in that moment.
Even hours after the ballet had ended and I was lying in bed in the darkness; I could still hear the instruments echoing in my mind. I stretched my fingers far above my head, and wiggled my toes underneath my pink sheets, closing my eyes and imagining myself on the stage. Even the flexible, endless kingdoms of my imagination could not give me the satisfaction of being a ballerina. And sadly, that dream would never come to be filled in my later life.
However, I still hate the ballet.